Ostarp3 Ostarp1 Ostarp2

As I have been busy making collodion negatives these three are my first salt prints from calotype negatives this summer. Taken at Östarp, a lovely place close to where I live.

The calotypes were all more or less underexposed, then overdeveloped to compensate and allowed to fog a bit on their backs. Thus their grainy appearance. Full plate size and gold toned salt prints.


The Cloisters, Lacock Abbey

At the beginning of August I spent a weekend with the Calotype Society in Lacock where Henry Fox Talbot lived. It was a very strange feeling to be at the home of one of the inventors of photography and actually make calotypes just like he did, and to see scenes I recognize from his pictures.

This is a gold toned salt print from a Baldus calotype (yes, I cheated, I didn’t follow Talbot’s instructions) in whole plate size.

Collodion workshop

I am booked to do a wet plate collodion demo/workshop at Landskrona Foto Festival on the 24th of August.

It will be a few bits about early techniques – daguerreotypes and calotypes – and then wetplate with a demo of the process and one or two hands-on practices for the participants. Maximum 10 persons and it is possible to book if you click here.

I will also be part of an exhibition at the festival together with my friends in the Sunny f16 photographer collective. And there will also be lot of other exhibitions and workshops and lectures.

The picture above is a half plate-ish salt print from a collodion negative with the usual gold toning.